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Marissa Osato's TO PEER THROUGH VEILS

Marissa Osato's TO PEER THROUGH VEILS

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So, how could I see clearly now, I who must use thick spectacles for near-sightedness, who am trying to peer through three veils, white, yellow, and black?
—Hisaye Yamamoto, “Small Talk.” Los Angeles Tribune, Dec. 28, 1946.

This new site-specific dance film is an internal awakening to the shadows of history on the JACCC Plaza—specifically, the history of WWII-era Bronzeville.

In 1942, Executive Order 9066 forced over 120,000 Japanese Americans into incarceration camps. Nearly 80,000 Black migrants transformed the vacated Little Tokyo into a center for Black business, culture, and jazz. As WWII ended, the hopes for a Black and Japanese American “Little Bronze Tokyo” were never realized. Bronzeville presents a shared experience of structural racism and the potential power of solidarity between Black and Japanese American communities in Los Angeles.

to peer through veils investigates experiences of isolation and invisibility, shedding and assimilation, displacement and reclamation. Reckoning with the echoes of ancestral and societal history, how do we individually and collectively move forward?

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So, how could I see clearly now, I who must use thick spectacles for near-sightedness, who am trying to peer through three veils, white, yellow, and black?
—Hisaye Yamamoto, “Small Talk.” Los Angeles Tribune, Dec. 28, 1946.

This new site-specific dance film is an internal awakening to the shadows of history on the JACCC Plaza—specifically, the history of WWII-era Bronzeville.

In 1942, Executive Order 9066 forced over 120,000 Japanese Americans into incarceration camps. Nearly 80,000 Black migrants transformed the vacated Little Tokyo into a center for Black business, culture, and jazz. As WWII ended, the hopes for a Black and Japanese American “Little Bronze Tokyo” were never realized. Bronzeville presents a shared experience of structural racism and the potential power of solidarity between Black and Japanese American communities in Los Angeles.

to peer through veils investigates experiences of isolation and invisibility, shedding and assimilation, displacement and reclamation. Reckoning with the echoes of ancestral and societal history, how do we individually and collectively move forward?

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When

Thu, May 20, 2021 12:00 pm - Sun, May 30, 2021 11:59 pm

Where

Online
Description

SCREENING: May 20–31

So, how could I see clearly now, I who must use thick spectacles for near-sightedness, who am trying to peer through three veils, white, yellow, and black?
—Hisaye Yamamoto, “Small Talk.” Los Angeles Tribune, Dec. 28, 1946.

This new site-specific dance film is an internal awakening to the shadows of history on the JACCC Plaza—specifically, the history of WWII-era Bronzeville.

In 1942, Executive Order 9066 forced over 120,000 Japanese Americans into incarceration camps. Nearly 80,000 Black migrants transformed the vacated Little Tokyo into a center for Black business, culture, and jazz. As WWII ended, the hopes for a Black and Japanese American “Little Bronze Tokyo” were never realized. Bronzeville presents a shared experience of structural racism and the potential power of solidarity between Black and Japanese American communities in Los Angeles.

to peer through veils investigates experiences of isolation and invisibility, shedding and assimilation, displacement and reclamation. Reckoning with the echoes of ancestral and societal history, how do we individually and collectively move forward?

Learn More
Japanese American Cultural & Community Center
244 South San Pedro Street
Los Angeles, CA 90012
(213) 628-2725 | info@jaccc.org
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